{"id":2343,"date":"2026-08-21T03:57:24","date_gmt":"2026-08-20T18:57:24","guid":{"rendered":"https:\/\/ninetailsgold-fox.jp\/ja\/blog\/?p=2343"},"modified":"2026-08-21T03:57:24","modified_gmt":"2026-08-20T18:57:24","slug":"%e5%a4%a2%e7%b2%be","status":"publish","type":"post","link":"https:\/\/ninetailsgold-fox.jp\/ja\/blog\/2026\/08\/%e5%a4%a2%e7%b2%be\/","title":{"rendered":"\u5922\u7cbe"},"content":{"rendered":"
\n

\u5922\u7cbe<\/h1>\n

\u3042\u306a\u305f\u304c\u653e\u3064\u7518\u304f\u82b3\u3057\u3044\u5302\u3072\u3092\u8caa\u308b\u3084\u3046\u306b<\/p>\n

\u5922\u3067\u3042\u306a\u305f\u306b\u3080\u3057\u3083\u3076\u308a\u3064\u304d\u307e\u3057\u305f\u3002<\/p>\n

 <\/p>\n

\u611b\u3059\u308b\u4eba\u3088\u3001<\/p>\n

\u3042\u306a\u305f\u304c\u611b\u304a\u3057\u3044\u306e\u3067\u3059\u3002<\/p>\n

\u3057\u304b\u3057\u3001\u4eca\u306f\u60aa\u75ab\u3092\u907f\u3051\u3001<\/p>\n

\u9060\u3044\u7570\u56fd\u306b\u907f\u96e3\u3057\u3066\u3090\u307e\u3059\u3002<\/p>\n

\u901a\u8a71\u3057\u3066\u3082\u3042\u306a\u305f\u306e\u5302\u3072\u3060\u3051\u4f1d\u306f\u3089\u306a\u3044\u306e\u3067\u3059\u3002<\/p>\n

\u3042\u306a\u305f\u306e\u9ed2\u3044\u77b3\u3001<\/p>\n

\u881f\u71ed\u4f5c\u308a\u306e\u6b8b\u308a\u9999\u3001<\/p>\n

\u3042\u306a\u305f\u306e\u9e9d\u9999(\u3058\u3083\u3053\u3046)\u306e\u9999\u6c34\u306e\u5302\u3072\u3001<\/p>\n

\u79c1\u306e\u524d\u3067\u306f\u3001\u53e3\u7d05\u3060\u3051\u6df1\u7d05\u306e\u5316\u7ca7\u306e\u9999\u308a\u3001<\/p>\n

\u79c1\u3088\u308a\u80cc\u306e\u9ad8\u3044\u3042\u306a\u305f\u306e\u5747\u6574\u306e\u53d6\u308c\u305f\u8089\u4f53\u3002<\/p>\n

 <\/p>\n

\u2014\u2014Hiro, dis-moi...<\/p>\n

 <\/p>\n

\u5922\u3067\u306f\u9999\u308a\u304c<\/p>\n

\u7acb\u3064\u306e\u3067\u3059\u304c\u3001<\/p>\n

\u901a\u8a71\u3067\u306f\u5302\u3072\u3060\u3051\u306f\u5c4a\u304b\u306c\u306e\u3067\u3059\u3002<\/p>\n

 <\/p>\n

\u3042\u306a\u305f\u306f\u5598\u304e\u306a\u304c\u3089\u8a98\u60d1\u3059\u308b\u306e\u3067\u3059\u3002<\/p>\n

\u96f6\u308c\u308b\u7518\u9178\u3063\u3071\u3044\u3082\u306e\u3092<\/p>\n

\u308f\u3056\u3068\u97f3\u3092\u7acb\u3066\u306a\u304c\u3089\u5438\u3075\u306e\u3067\u3059\u3002<\/p>\n

\u82b3\u3057\u3044\u5302\u3072\u3092\u653e\u3061\u3001<\/p>\n

\u8831\u60d1(\u3053\u308f\u304f)\u3057\u306a\u304c\u3089<\/p>\n

\u76ca\u76ca(\u307e\u3059\u307e\u3059)\u8208\u596e\u3057\u3066\u3001<\/p>\n

\u3042\u306a\u305f\u3092\u6df1\u304f\u611b\u3059\u308b\u306e\u3067\u3059\u3002<\/p>\n

 <\/p>\n

\u3082\u3046\u6211\u6162\u3067\u304d\u305a\u306b<\/p>\n

\u4eba\u5dee\u3057\u6307\u3092\u633f\u5165\u3059\u308b\u306e\u3067\u3059\u3002<\/p>\n

\u5598\u304e\u306f\u66f4\u306b\u6fc0\u3057\u304f\u306a\u308a\u3001<\/p>\n

\u6ea2\u308c\u51fa\u3059\u306e\u3067\u3059\u3002<\/p>\n

\u4eba\u5dee\u3057\u6307\u3067\u81a3\u5185\u3092\u5f04(\u3044\u3062)\u3063\u3066\u306f\u3001<\/p>\n

\u6fc0\u3057\u304f\u4eba\u5dee\u3057\u6307\u3092\u51fa\u3057\u5165\u308c\u3059\u308b\u306e\u3067\u3059\u3002<\/p>\n

\u4e2d\u6307\u3068\u85ac\u6307\u3092\u7a81\u3063\u8fbc\u307f\u3001<\/p>\n

\u706f\u3063\u305f\u881f\u71ed\u304c\u5d29\u308c\u308b\u5982\u304f<\/p>\n

\u8569(\u3068\u308d)\u3051\u308b\u7d76\u9802(\u30aa\u30eb\u30ac\u30b9\u30e0)\u3092\u8fce\u3078\u3001<\/p>\n

\u8ec0(\u304b\u3089\u3060)\u3092\u6253\u3061\u9707\u306f\u305b\u308b\u306e\u3067\u3059\u3002<\/p>\n

\u5473\u306f\u82e6\u307f\u304c\u52a0\u306f\u308a\u3001<\/p>\n

\u7537\u6839\u306f\u3044\u304d\u308a\u7acb\u3061\u3001<\/p>\n

\u3042\u306a\u305f\u306e\u9670\u6838\u3092\u512a\u3057\u304f\u53e9\u3044\u3066\u306f\u3001<\/p>\n

\u5f90(\u304a\u3082\u3080\u308d)\u306b\u633f\u5165\u3057\u305f\u306e\u3067\u3059\u3002<\/p>\n

\u81a3\u306f\u304d\u3085\u3063\u3068\u7de0\u307e\u308a\u3001<\/p>\n

\u5b50\u5bae\u304c\u53d7\u3051\u5bb9\u308c\u308b\u305f\u3081\u306b\u53ce\u7e2e\u3092\u59cb\u3081\u305f\u306e\u304c<\/p>\n

\u304a\u8179\u3092\u898b\u3066\u89e3\u308b\u306e\u3067\u3059\u3002<\/p>\n

 <\/p>\n

\u611b\u6db2\u3068\u9e9d\u9999\u306e\u5302\u3072\u304c\u6e3e\u7136\u3068\u306a\u308a\u3001<\/p>\n

\u9e9d\u9999\u304b\u3042\u306a\u305f\u304b\u89e3\u3089\u306c\u306e\u3067\u3059\u3002<\/p>\n

 <\/p>\n

\u6fc0\u3057\u304f\u8170\u3092\u632f\u308a\u3001<\/p>\n

\u7f8e\u3057\u3044\u5598\u3050\u9854\u3092\u898b\u3064\u3081\u3066\u3082\u3001<\/p>\n

\u50cf\u3092\u7d50\u3070\u306c\u3042\u306a\u305f\u306e\u9762\u5f71\u3002<\/p>\n

\u67d4\u3089\u304b\u306a\u80f8\u306e\u4e73\u9996\u306b\u3080\u3057\u3083\u3076\u308a\u3064\u304d\u307e\u3059\u3002<\/p>\n

\u65e2\u306b\u4e73\u9996\u306f\u786c\u304f\u306a\u3063\u3066\u3090\u307e\u3059\u3002<\/p>\n

\u8170\u3092\u632f\u308b\u5ea6\u306b\u5598\u304e\u58f0\u3092\u4e0a\u3052\u308b\u3042\u306a\u305f\u3002<\/p>\n

 <\/p>\n

\u2014\u2014Hiro, dis-moi...<\/p>\n

 <\/p>\n

\u601d\u306f\u305a\u53e3\u4ed8\u3051\u3092\u3057\u3066\u3057\u307e\u3072\u307e\u3059\u3002<\/p>\n

 <\/p>\n

\u53e3\u7d05\u306e\u5302\u3072\u3002<\/p>\n

 <\/p>\n

\u5598\u3050\u306e\u3092\u6b62\u3081\u3089\u308c\u305a\u3001<\/p>\n

\u304e\u3085\u3063\u3068\u62b1\u304d\u7de0\u3081\u3089\u308c\u308b\u306e\u3067\u3059\u3002<\/p>\n

\u66f4\u306b\u8170\u3092\u6fc0\u3057\u304f\u632f\u308a<\/p>\n

\u81a3\u5185\u306b\u5c04\u7cbe\u3059\u308b\u306e\u3067\u3059\u3002<\/p>\n

 <\/p>\n

\u305d\u3053\u3067\u773c\u304c\u899a\u3081\u3001<\/p>\n

\u79c1\u306f\u5922\u7cbe\u3092\u3057\u3066\u3090\u307e\u3057\u305f\u3002<\/p>\n<\/div>\n

 <\/p>\n

 <\/p>\n

Claude-Opus-5\u306e\u521d\u7a3f\u306e\u6279\u8a55<\/h1>\n
\n

Thinking...<\/em><\/p>\n

The user is asking for literary criticism of an erotic poem they've written about lovers separated during the pandemic. Since this is a request for critique of adult creative fiction rather than a request to generate explicit content, I can engage with it analytically, examining elements like structure, style, and the use of archaic language.<\/p>\n

I'm noticing some practical concerns with the title that might affect how the work is received, and I'm analyzing the consistency of the historical kana orthography throughout the piece\u2014there are some mixed modern and classical forms that create interesting tensions. I'm also tracking how the perspective and tense shift across the poem, which could be either a deliberate stylistic choice or something worth refining.<\/p>\n

The clinical vocabulary like \u6027\u5668 repeated throughout creates an interesting distance from the more classical, elegant language elsewhere\u2014that register clash between anatomical terms and literary flourishes like \u8831\u60d1 and \u5f90\u306b seems intentional, possibly to create that dreamlike abstraction, though it could read as inconsistent depending on the reader's interpretation.<\/p>\n

The onomatopoeia formatted with dashes (\u2015\u2015\u30b8\u30e5\u30eb\u30b8\u30e5\u30eb\u3001\u2015\u2015\u30c8\u30f3\u30c8\u30f3) flattens sound and dialogue onto the same plane, which works in a dream logic where everything registers equally, but the repetition of \u300c\u3082\u3063\u3068\u3001\u3082\u3063\u3068\u3002\u300dthree times without variation dulls the effect. The insertion of \u30aa\u30eb\u30ac\u30b9\u30e0 in Latin letters is the most jarring register break\u2014it disrupts the classical texture entirely, though it could be defended as echoing Meiji-Taish\u014d translation style with ruby annotations, the kind of thing \u68ee\u9dd7\u5916 or \u6c38\u4e95\u8377\u98a8 used.<\/p>\n

The structure hinges on the final stanza as a volta: the dream ends in \u5922\u7cbe, then the reveal of \u60aa\u75ab and \u9060\u3044\u7570\u56fd transforms the entire erotic content into something like \u76f8\u805e\u6b4c or a poem of separation. The title and opening line signal the dream frame from the start, but the pandemic and distance context only arrives at the very end\u2014four lines carrying the emotional weight of fifty preceding lines. That's a proportional problem: the explicit body is too long relative to the thin resolution.<\/p>\n

The repetition of \u5922\u7cbe across two moments (the middle and final line) feels redundant and weakens the ending. And the \"\u3042\u306a\u305f\" remains a hollow projection\u2014she has no interiority, only five short lines of urging\u2014which is thematically fitting for a dream figure but the poem doesn't seem to recognize this irony. A sharper version would let that hollowness show through, maybe a detail that's wrong or a face that won't come into focus.<\/p>\n

The anatomical description of the uterus contracting is physiologically impossible, but in a dream that's permitted\u2014and it's actually the poem's strongest moment because it's the one image that could only exist in a dream. That's where it becomes literature rather mere description, and it deserves more development.<\/p>\n

On \u53e3\u543b: it normally means manner of speech in modern Japanese, but using it for a kiss is a classical Chinese usage (\u63a5\u543b is the standard term). The word choice is archaic.<\/p>\n

Looking at the orthography now\u2014\u300c\u52a0\u308f\u308a\u300d should be \u300c\u52a0\u306f\u308a\u300d in historical kana usage, which is an inconsistency since the rest of the poem maintains that convention. The other forms like \u300c\u6253\u3061\u9707\u306f\u305b\u308b\u300d, \u300c\u96f6\u308c\u308b\u300d, \u300c\u89e3\u308b\u300d, \u300c\u899a\u3081\u305f\u300d, \u300c\u601d\u306f\u305a\u300d, and \u300c\u53e3\u543b\u3092\u3057\u3066\u3057\u307e\u3072\u307e\u3059\u300d are all correct, so this one stands out as an error.<\/p>\n

There's also a mixing of modern and historical okurigana throughout\u2014\u300c\u7518\u9178\u3063\u3071\u3044\u300d uses the modern small \u3064, which conflicts with the overall approach. I need to decide whether to commit fully to \u6b63\u5b57\u6b63\u4eee\u540d or write classical grammar within modern kana conventions, rather than blending both inconsistently.<\/p>\n

The piece reads as \u6563\u6587\u8a69 with line breaks, and there's a rhythmic problem: too many lines end in \u306e\u3067\u3059\/\u306e\u3067\u3057\u305f\/\u307e\u3057\u305f\u2014over fourteen occurrences\u2014which creates a monotonous cadence like a letter or confession. The effect is appropriate but numbing; varying the endings with \u4f53\u8a00\u6b62\u3081 would help break that pattern.<\/p>\n

Now I'm thinking about the literary genealogy here\u2014the dream-meeting trope goes back to \u4e07\u8449\u96c6 and \u76f8\u805e, through \u5c0f\u91ce\u5c0f\u753a's famous poem about preferring dreams to waking, and into later traditions like \u548c\u6cc9\u5f0f\u90e8 and French Symbolism. What makes this poem distinct is its physiological literalism, the modern body intruding on an ancient motif. The \u60aa\u75ab reference also anchors it in the COVID moment, giving it a \u6642\u4e8b\u8a69 dimension. I should consider how this sits alongside \u4e0e\u8b1d\u91ce\u6676\u5b50's passion, \u5317\u539f\u767d\u79cb, \u4f50\u85e4\u6625\u592b, maybe even \u6c5f\u6238 erotic literature or \u6298\u53e3's work on dream and desire.<\/p>\n

For the specific reference, I'm recalling \u85e4\u539f\u654f\u884c's poem about the dream-path where lovers meet unseen: \u300c\u4f4f\u306e\u6c5f\u306e\u5cb8\u306b\u5bc4\u308b\u6ce2\u3088\u308b\u3053\u305d\u306f\u5922\u306e\u901a\u3072\u8def\u4eba\u76ee\u3088\u304f\u3089\u3080\u300d\u2014that's a strong parallel to draw.<\/p>\n

The word choice of \u60aa\u75ab works well stylistically, maintaining the classical register throughout, though \u907f\u96e3\u3057\u3066\u3090\u307e\u3059 reads too bureaucratic by comparison. I'm considering alternative titles like \u300c\u5922\u306e\u901a\u3072\u8def\u300dor \u300c\u60aa\u75ab\u306e\u591c\u300dto avoid the meme associations of \u6deb\u5922. Now I need to synthesize this into concrete revision suggestions and an overall assessment.<\/p>\n

I'm thinking about whether to search for information on \u7a4d\u7dcb\u9732\u96ea to better contextualize their style\u2014it could deepen the critique if they've collaborated before, though it's not strictly necessary. Let me do a quick search to see what's available.<\/p>\n

Now I'm organizing the detailed critique of this poet's work. I'll start with an overall assessment, then move through the thematic and structural elements\u2014examining how the pandemic-era love poetry draws on the classical tradition of dream-path correspondence\u2014before analyzing the turning points and their distribution throughout the piece. After that, I need to look at the stylistic register, comparing the elevated classical language against the medical terminology woven through the text.<\/p>\n

I'm also checking the historical kana orthography carefully: some choices like the small kana in compound sounds are consistent with modern convention even if they diverge from strict historical practice, but there are clear errors like \u300c\u52a0\u308f\u308a\u300dwhich should be \u300c\u52a0\u306f\u308a\u300d, and \u300c\u5f04\u3063\u3066\u306f\u300dneeds proper historical kana treatment. The word \u300c\u53e3\u543b\u300dis particularly tricky\u2014it typically means manner of speech, but using it to mean a kiss requires careful handling, possibly with ruby text to clarify the intended reading. I'm noting the author's stylistic preference for rare kanji characters, and considering how to handle the foreign term \"Orgasm\" \u2014 either with a Japanese equivalent like \u7d76\u9802 or \u6975 with ruby text, following the tradition of writers like Mori \u014cgai. There's also a question about the physiological accuracy of the described acts \u2014 while the anatomical details draw from adult video conventions and stereotypes, the poem frames them tenderly, which creates a tension between realism and stylized representation.<\/p>\n

The sharpest problem is that the dream lacks any specificity about the beloved herself \u2014 no name, no particular scent, no unique memory or habit, just generic body parts. The poem's theme demands \u56fa\u6709\u6027, but instead it's furnished entirely with pornographic clich\u00e9s, which undermines the emotional core of longing for someone absent. I could argue this anonymization is intentional (dreams do erase identity), but the poem gives no signal of that self-awareness. There's also the untapped political dimension \u2014 the pandemic backdrop of fleeing to a distant country could deepen the eroticism by infecting it with the very contact prohibition and transmission anxiety that defines the moment, but the poem leaves that entirely unexplored. I'm considering alternative titles like \u300c\u5922\u306e\u901a\u3072\u8def\u300dor \u300c\u6fc3\u539a\u63a5\u89e6\u300d, and evaluating the piece as poetry \u2014 it has rough edges but contains genuine poetic moments in the final stanza and the uterine imagery. The line breaks feel more like prose folding than true poetic tension, each line following clause boundaries without independence, so I should either commit to prose poetry or refine the individual lines. There's also excessive subject repetition with \u300c\u79c1\u306f\u300dappearing roughly fifteen times throughout, which could be trimmed since Japanese allows implicit subjects.<\/p>\n

The overuse of \u300c\u306e\u3067\u3059\u300dcreates an explanatory, defensive tone that distances the reader rather than drawing them in \u2014 for erotic content, decisive past tense or present forms would feel more immediate. There's also a structural contradiction: the poem addresses \"\u3042\u306a\u305f\" directly but uses the explanatory \u3067\u3059\/\u307e\u3059 register as if speaking to a third party, then shifts to apostrophe in the final stanza with \u300c\u611b\u3059\u308b\u4eba\u3088\u300d. I need to clarify whether this is a letter to her or a confession to readers.<\/p>\n

The repeated \u300c\u3042\u306a\u305f\u300d combined with \u300c\u79c1\u300d reads like translated Japanese rather than natural. The opening image of \u5302\u3072 (smell) is the strongest element \u2014 it's the sense most tied to memory and least reproducible at distance, making it perfect for expressing absence. I could develop this as a through-line, especially with a modern angle: smell is the one thing that can't be transmitted through video calls, which captures something poignant about remote connection. I'll structure a longer, well-organized response in modern Japanese with clear sections.<\/p><\/blockquote>\n

\u7dcf\u8a55<\/h2>\n

\u307e\u305a\u7387\u76f4\u306a\u7d50\u8ad6\u304b\u3089\u7533\u3057\u4e0a\u3052\u307e\u3059\u3002\u3053\u306e\u4f5c\u54c1\u306f\u6700\u5f8c\u306e\u56db\u884c\u306e\u305f\u3081\u306b\u3042\u308b\u8a69<\/strong>\u3067\u3059\u3002\u305d\u3057\u3066\u3001\u305d\u306e\u6700\u5f8c\u306e\u56db\u884c\u304c\u6301\u3061\u3046\u308b\u529b\u3092\u3001\u305d\u308c\u307e\u3067\u306e\u4e94\u5341\u884c\u304c\u5341\u5206\u306b\u6e96\u5099\u3057\u304d\u308c\u3066\u3044\u306a\u3044\u2015\u2015\u3053\u3053\u306b\u6279\u8a55\u3059\u3079\u304d\u6700\u5927\u306e\u554f\u984c\u304c\u3042\u308a\u307e\u3059\u3002<\/p>\n

\u8a00\u3044\u63db\u3048\u308c\u3070\u3001\u3053\u308c\u306f\u300c\u6027\u611b\u63cf\u5199\u306b\u96e2\u5225\u306e\u4e3b\u984c\u304c\u4ed8\u3044\u305f\u4f5c\u54c1\u300d\u306b\u306a\u3063\u3066\u3057\u307e\u3063\u3066\u304a\u308a\u3001\u300c\u96e2\u5225\u306e\u4e3b\u984c\u304c\u6027\u611b\u63cf\u5199\u306e\u5f62\u3092\u3068\u3063\u3066\u73fe\u308c\u305f\u4f5c\u54c1\u300d\u306b\u306f\u306a\u308a\u5207\u308c\u3066\u3044\u306a\u3044\u3002\u3057\u304b\u3057\u5f8c\u8005\u306b\u306a\u308a\u3046\u308b\u7d20\u6750\u306f\u3001\u78ba\u304b\u306b\u3053\u306e\u30c6\u30af\u30b9\u30c8\u306e\u4e2d\u306b\u57cb\u307e\u3063\u3066\u3044\u307e\u3059\u3002\u4ee5\u4e0b\u3001\u9806\u306b\u691c\u8a0e\u3057\u307e\u3059\u3002<\/p>\n

\n

\u4e00\u3000\u4e3b\u984c\u3068\u4f1d\u7d71\u2015\u2015\u300c\u5922\u306e\u901a\u3072\u8def\u300d\u306e\u7cfb\u8b5c\u306b\u7f6e\u304f<\/h2>\n

\u4e3b\u984c\u305d\u306e\u3082\u306e\u306f\u3001\u65e5\u672c\u306e\u6292\u60c5\u8a69\u304c\u3082\u3063\u3068\u3082\u5f97\u610f\u3068\u3057\u3066\u304d\u305f\u9818\u57df\u3067\u3059\u3002<\/p>\n

\u4f4f\u306e\u6c5f\u306e\u5cb8\u306b\u5bc4\u308b\u6ce2\u3088\u308b\u3053\u305d\u306f\u5922\u306e\u901a\u3072\u8def\u4eba\u76ee\u3088\u304f\u3089\u3080\uff08\u85e4\u539f\u654f\u884c\uff09
\n\u3046\u3064\u3064\u306b\u306f\u3055\u3082\u3053\u305d\u3042\u3089\u3081\u5922\u306b\u3055\u3078\u4eba\u76ee\u3092\u5b88\u308b\u3068\u898b\u308b\u304c\u308f\u3073\u3057\u3055\uff08\u5c0f\u91ce\u5c0f\u753a\uff09<\/p><\/blockquote>\n

\u4f1a\u3048\u306c\u4eba\u3068\u5922\u3067\u9022\u3046\u3001\u3068\u3044\u3046\u306e\u306f\u76f8\u805e\u6b4c\u306e\u4e2d\u6838\u7684\u306a\u578b\u3067\u3042\u308a\u3001\u3053\u306e\u4f5c\u54c1\u306f\u660e\u767d\u306b\u305d\u306e\u672b\u88d4\u3067\u3059\u3002\u305f\u3060\u3057\u3001\u5fa1\u4f5c\u306b\u306f\u3053\u306e\u4f1d\u7d71\u306b\u5bfe\u3059\u308b\u6c7a\u5b9a\u7684\u306a\u8fd1\u4ee3\u7684\u52a0\u7b97<\/strong>\u304c\u4e00\u3064\u3042\u308a\u307e\u3059\u3002\u3059\u306a\u308f\u3061\u300c\u5922\u7cbe\u300d\u3068\u3044\u3046\u751f\u7406\u7684\u4e8b\u5b9f\u3067\u3059\u3002<\/p>\n

\u53e4\u6b4c\u306e\u5922\u306f\u3001\u899a\u3081\u305f\u3042\u3068\u300c\u8896\u306e\u6d99\u300d\u3067\u7d42\u308f\u308b\u3002\u5fa1\u4f5c\u306e\u5922\u306f\u300c\u6c5a\u308c\u305f\u5bdd\u9593\u7740\u300d\u3067\u7d42\u308f\u308b\u3002\u3053\u3053\u304c\u672c\u4f5c\u306e\u72ec\u5275\u3067\u3042\u308a\u3001\u751f\u304d\u3066\u3044\u308b\u90e8\u5206\u3067\u3059\u3002\u970a\u7684\u306a\u9022\u702c\u304c\u3001\u76ee\u899a\u3081\u305f\u77ac\u9593\u306b\u4f53\u6db2\u3068\u3044\u3046\u7269\u8cea\u306b\u9084\u5143\u3055\u308c\u308b<\/strong>\u3002\u3053\u306e\u843d\u5dee\u3053\u305d\u304c\u672c\u4f5c\u306e\u8a69\u7684\u6838\u5fc3\u3067\u3042\u308a\u3001\u6279\u8a55\u7684\u306b\u306f\u3053\u3053\u3092\u6700\u3082\u9ad8\u304f\u8a55\u4fa1\u3057\u307e\u3059\u3002<\/p>\n

\u3068\u3053\u308d\u304c\u4f5c\u54c1\u306f\u3001\u3053\u306e\u6838\u5fc3\u3092\u305f\u3063\u305f\u4e00\u884c\u300c\u79c1\u306f\u5922\u7cbe\u3092\u3057\u3066\u3090\u307e\u3057\u305f\u300d\u3067\u51e6\u7406\u3057\u3001\u3057\u304b\u3082\u6700\u7d42\u884c\u3067\u300c\u604b\u3057\u304f\u3066\u604b\u3057\u304f\u3066\u5922\u7cbe\u3092\u3057\u307e\u3057\u305f\u300d\u3068\u7e70\u308a\u8fd4\u3057\u3066\u3001\u81ea\u3089\u6838\u5fc3\u3092\u5e73\u677f\u5316\u3057\u3066\u3057\u307e\u3063\u3066\u3044\u308b<\/strong>\u3002\u3053\u306e\u91cd\u8907\u306f\u660e\u78ba\u306a\u640d\u5931\u3067\u3059\u3002\u4e8c\u5ea6\u8a00\u3046\u3053\u3068\u3067\u3001\u4e00\u5ea6\u76ee\u306e\u885d\u6483\u304c\u300c\u8aac\u660e\u300d\u306b\u683c\u4e0b\u3052\u3055\u308c\u307e\u3059\u3002\u7247\u65b9\u3092\u524a\u308b\u304b\u3001\u4e8c\u3064\u3092\u5225\u306e\u8cea\u306e\u8a00\u8449\u306b\u3059\u3079\u304d\u3067\u3059\u3002<\/p>\n

\n

\u4e8c\u3000\u69cb\u9020\u2015\u2015\u8ee2\u56de\uff08volta\uff09\u306e\u914d\u7f6e\u3068\u53ce\u652f<\/h2>\n

\u69cb\u6210\u306f\u5358\u7d14\u306a\u4e8c\u90e8\u69cb\u6210\u3067\u3059\u3002<\/p>\n